Archive for May, 2014

Video: Ali Koehler & Allison Crutchfield – “Stand Next to Me” originally by Bad Banana

Video: La Sera – What’s In My Bag?

Video: La Sera – Hour of the Dawn // Gothenburg Sessions #10

La Sera Lets the Light In – Page – Interview Magazine

(c) picture by lialepre

(c) picture by lialepre

Katy Goodman’s music has focused on darker times over the last few years. This time around, Goodman is ready to bring back the light to La Sera, with music that’s both energetic and hardcore. Goodman—who spent the past several years as one-third of Vivian Girls—began La Sera to do something different. Her latest record comes following the end of Vivian Girls: the band just played their final show in Brooklyn back in March.

La Sera’s third LP Hour Of The Dawn brings new sounds to the surface: ’80s punk and pop dominate the tracks of this record, as opposed to the ’60s girl groups that heavily influenced Goodman’s previous albums. It could be a change of musical direction or her relocation from busy New York to sunny Los Angeles.

Following two U.S. performances, La Sera is about to embark upon a European tour that culminates at Primavera Sound Festival. Goodman is bringing along her friends in Springtime Carnivores, who have also been playing with her during performances. We spoke with Katy Goodman about the New Brunswick music scene, physics, and getting aggressive (with her music) again.

Read the interview:

La Sera: Sweating the Small Stuff :: Music :: Features :: Paste

(c)-picture by andrew st. clair

(c)-picture by andrew st. clair

For most musicians, there’s a jagged split between the role of artist and fan. Jonny Greenwood’s love for reggae probably never informed a Radiohead song, and Paul Banks’ budding rap career never took off on any Interpol LP. And while Katy Goodman, the musician, takes over when La Sera hits the stage, that overwhelming fan instinct pleads: maybe this isn’t the best time to show off brand new songs. But as fellow Los Angeles resident Walter Sobchak might advise…

“Fuck it,” Goodman laughs.

You’ll see why after a listen; Goodman’s latest, Hour of the Dawn, explains itself nicely, quickly, forcefully. While Goodman’s back catalog recalls the lush, wiry backdrop of the ‘60s, she’s jumped a few decades forward and moved into a gnarlier garage this year. Hour of the Dawn is beastly, ferocious, it shreds (thanks to guitarist Todd Wisenbaker) and begs to be played at a breakneck pace live. And as Goodman would learn on a tour with Kate Nash, Hour of the Dawn’s 10 songs were pretty damn immediate, too.

Read the interview:

Q&A: Katy Goodman Of La Sera | Features | CMJ

(c) - picture by clashdan

(c) – picture by clashdan

Even though the Vivian Girls only recently played their farewell shows, for singer/guitarist Katy Goodman—as Kramer once said about moving to California—in her head, she’s already gone. Goodman moved to Los Angeles nearly three years ago now, and her band La Sera is about to release Hour Of The Dawn (Hardly Art), its third album, as many as Vivian Girls had. But if the shadow of that Brooklyn band still looms over the uber-reverbed, indie garage-pop world, the clarity of her latest La Sera slab carves away what fat might be left, leaving the liveliest guitar pop record of the year so far. We caught up with Goodman as she chilled at home right before leaving for a three-week European tour.

Read the interview:



Photos and words by Scott Sheff
While a light rain fell outside, the ladies of Upset showered the crowd inside The Satellite with a night of punk-pop music and plenty of casual banter.
The group kept things loose with the chit chat between the band and the crowd, as well as each other. Lead singer/guitarist Ali Koehler had a question for drummer Patty Schemel that she just had to ask before she forgot: “Did you hear back from Evan?” We all soon learned that the Evan in question was none other than Evan Dando of The Lemonheads and Blake Babies fame. (No word as to the purpose of the call, but we can only hope (and speculate) that there’s a musical collaboration in the works.
In addition to her warm, personable demeanor on stage, Koehler also added a nice personal touch to the show, but likely went unnoticed by most everyone in attendance. Rather than just scribble the night’s songs on a piece of paper, Koehler created four original, hand-written set lists with some doodles and other drawings unique to each list, giving a few lucky fans a one-of-a-kind memento from the show.